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Kalpataru

Kalpataru: The Tree of Life Across Time

Edisi Indonesia: Kalpataru: Pohon Kehidupan Melintasi Zaman

Beneath the vast sky, amidst dense forests, stands a tree said to grant all wishes. Its name is Kalpataru, the tree of life in Hindu mythology, symbolizing prosperity, abundance, and the balance of nature. Since ancient times, stories of Kalpataru have been carved into the reliefs of great temples across the Nusantara—Borobudur, Prambanan, Mendut, and Pawon—guarded by Kinnara-Kinnari, half-human, half-bird beings representing protection and purity.

For the ancient people, Kalpataru was more than just a tree. It was a symbol of harmony between humans and nature, a reminder that balance must be maintained for life to flourish. Its reliefs in temples depict abundance: blooming flowers, strings of jewels hanging from its branches, and animals thriving around it. They believed that those who lived in harmony with nature would be blessed with prosperity and wisdom.

Time moved forward. Great kingdoms fell, and civilizations evolved in new directions. Yet, the essence of Kalpataru never faded. In the modern era, Kalpataru is no longer just a myth but a symbol of real-world environmental conservation efforts. The Indonesian government adopted its name for an award given to individuals and groups dedicated to protecting nature. Thus, the concept of Kalpataru has evolved from myth to action—not merely a wish-granting tree, but a tree of hope for the sustainability of our planet.

How has Kalpataru endured through time? How have people, from the past to the present, understood and applied its wisdom in their lives? This is the imagined journey of Kalpataru—from temple reliefs to conservation movements, from a mythical tree to a living symbol of action and sustainability. Through the fictional lives of an 8th-century artisan, a 19th-century scholar, and a 21st-century activist, this story reimagines how Kalpataru’s wisdom transcends time, reminding us of the delicate balance between humanity and nature.











Ancient Era (8th Century, The Construction of Borobudur)

Jaya gazed at the nearly completed relief, his hands still warm from carving the final details of Kalpataru. The flickering torchlight danced upon the temple’s stone, casting shifting shadows that made the tree seem almost alive. Yet, his mind remained unsettled.

Bhikshu Dharmapala approached with measured steps. "You seem troubled, young one," he said gently.

Jaya sighed. "I wonder, Master... is this tree merely a symbol? Or does it truly possess the power the stories speak of?"

Dharmapala smiled, tracing his aged fingers along the carved roots of Kalpataru. "Kalpataru is not just a wish-granting tree, Jaya. It is a reflection of balance. Just as a tree connects the sky, the earth, and the waters, so too must humanity maintain its connection with nature and one another. If that balance is lost, even miracles can wither."

Jaya fell silent, contemplating the disputes among the sculptors—their ambitions, greed, and the desire to be remembered overshadowing the true meaning of what they carved. "Can art endure longer than human ambition?" he murmured.

"Art endures not because it is etched in stone, but because of the meaning it carries," the bhikshu replied. "One day, those who see this relief will reflect on the essence of balance, just as you are doing now."

As the night deepened, Jaya felt his heart grow lighter. He realized that the answer did not lie in whether Kalpataru was truly magical, but in how humanity chose to understand it. If the tree symbolized hope, harmony, and reverence for nature, then its true miracle was not in its legend—but in the actions of those who kept its spirit alive.

With renewed resolve, Jaya lifted his chisel. He would complete this relief not just as a sculptor, but as a guardian of Kalpataru’s meaning for generations to come. 🌿







Colonial Era (19th Century, The Archaeological Study of Borobudur)

Raden Kusuma knelt before the relief he had just cleaned, his fingertips tracing the delicate carvings of Kalpataru—hidden for centuries beneath layers of earth and volcanic ash. The golden hues of dusk filtered through the temple ruins, casting a glow that made the stone tree seem as if it pulsed with life. Yet, beneath the beauty of this discovery, his heart was restless.

“Kusuma, this is an extraordinary find,” said Mr. Van der Meer, the Dutch expedition leader, his voice brimming with enthusiasm. “Some sections of this relief will be sent to Batavia, and perhaps, if the government approves, parts will be shipped to the Netherlands for further study.”

Kusuma straightened. “But, sir,” he said, carefully suppressing his unease, “Borobudur is not a lifeless object to be moved at will. Every carving holds a deeper meaning for this land. Kalpataru is not just a symbol of prosperity, but also of balance.”

Van der Meer raised an eyebrow. “Ah, Javanese philosophy,” he said, half understanding. “But this is for science, Kusuma. If the world comes to understand Borobudur, isn’t that a good thing?”

Kusuma remained silent. He deeply respected academia and the archaeological research that had brought him here, yet was Borobudur merely an object of study? He retreated to his tent, his thoughts heavy with doubt.

That night, as he flipped through the ancient manuscripts found near the temple, something caught his eye—a set of journal pages written by a sculptor from centuries past. The words were filled with reflections on the meaning of Kalpataru, on the balance between humanity and nature, on art as more than heritage—it was a responsibility.

Jaya.

The name appeared repeatedly in the aged pages. Kusuma imagined the young sculptor, centuries ago, wrestling with the same questions that now plagued him. Was this legacy meant to be displayed for the world, or safeguarded by those born of this land?

He closed the journal slowly. The answer lay within its faded ink, woven between its ancient lines. Borobudur did not belong to the outside world. It belonged to the earth upon which it stood, to the generations who inherited their ancestors' wisdom.

With renewed determination, Kusuma knew what he had to do. He could not stop the excavation entirely, but he could fight to ensure that Borobudur would not completely fall into the hands of those who saw it merely as an artifact. Like Jaya before him, he was not just a scholar—he was a guardian of meaning. And his duty had only just begun. 🌿









Modern Era (21st Century, Environmental Conservation)

Ayu stood before the Kalpataru relief, her fingers tracing the ancient stone that had endured for over a thousand years. The carved leaves and branches felt familiar, as if they were whispering to her. The warm evening breeze carried the sounds of birds and the rustling of the few forests that remained in the distance.

“We have lost so much,” she murmured.

As an environmental activist, she had spent years fighting for Java’s forests, yet deforestation continued unabated. Large corporations stripped the land for plantations and industry, while local communities were caught between economic survival and environmental preservation. But here, in Borobudur, among these carvings of a life long past, Ayu saw something beyond art.

Kalpataru was not just a mythical tree. It was a message from the ancestors.

In her research, she discovered that the concept of Kalpataru had once been an integral part of daily life. The ancient people lived in harmony with nature, understanding that true abundance came not from exploitation but from balance. Kalpataru was not merely a tree of hope—it was a warning, a reminder that without equilibrium, destruction would follow.

Yet the modern world had forgotten.

Ayu closed her journal and gazed at the sky, now painted in hues of orange. In her mind, she saw the shadow of Jaya, the young sculptor who had fought to preserve the meaning of his art, and Raden Kusuma, the archaeologist who had defended his cultural heritage. Now, it was her turn.

Amid corporate pressures and governmental indifference, Ayu knew that change had to start at the roots. She began holding discussions with local communities, speaking about their heritage, about how their ancestors had long understood the importance of ecological balance. She taught them that Kalpataru was not just a relief on a temple wall, but a reflection of the forests that still stood—and the ones that must be protected.

“What happens if we lose the forests?” Ayu asked one day in a small village gathering.

An elderly farmer responded, “We lose water. We lose soil. We lose life.”

Ayu nodded. “Then we must protect them. Because if the forests disappear, Kalpataru will no longer be a symbol of life—it will be a warning of destruction.”

Faced with immense challenges, Ayu knew she could not fight alone. But she believed that the stories of the past could empower the present. By reviving the philosophy of Kalpataru, she hoped to plant the seeds of awareness that would grow in future generations.

Because Kalpataru was not just a myth. It was a call to action. 🌱








The Common Thread: Ancient Wisdom for the Future

Beneath a sky unchanged for centuries, Borobudur stands in silent grandeur, its reliefs preserving stories etched in stone. And among the ancient carvings that have witnessed the passage of time, Kalpataru endures—a symbol transcending generations.

Jaya, in the 8th century, carefully sculpted the Tree of Life, ensuring its meaning would not be lost beneath the beauty of the carving. Deep within, he wrestled with a question—was art merely decoration, or was it a message meant to outlast human ambition?

Raden Kusuma, in the 19th century, rediscovered the Kalpataru relief among buried ruins, torn between science and colonialism. To him, Kalpataru was more than an artifact; it was identity—something that belonged to its homeland, not a foreign museum.

Ayu, in the 21st century, did not see Kalpataru as a myth of the past but as a message still relevant amid an environmental crisis. She fought to awaken society, reminding them that what the ancestors once protected now stood on the brink of destruction. Only by reclaiming the wisdom of the past could the future be saved.

Three souls, three eras, yet one question remains unchanged—how can humanity maintain balance between progress and nature?

With roots anchored in history and branches reaching toward the future, Kalpataru teaches that sustainability is not a modern concept—it is a legacy, passed down through generations.

Beneath the eternal shadow of Borobudur, Kalpataru stands tall, weaving the past, present, and future into one. 🌳✨



Traces of Folklore in the Austronesian and Nusantara Region

Traces of Folklore in the Austronesian and Nusantara Region: From Ancestral Myths to Modern Tales

Edisi Indonesia: Jejak Folklor di Kawasan Austronesia dan Nusantara



Introduction: Folklore as a Reflection of History and Culture

Folklore is not merely a collection of traditional tales passed down through generations; it is also a reflection of a nation’s journey. Every myth, legend, and folktale carries traces of history, moral values, and cultural identity that continue to evolve. In Indonesia, folk stories such as Malin Kundang, Bawang Merah and Bawang Putih, and the myth of Nyi Roro Kidul serve not only as entertainment but also as a cultural heritage that connects the past to the present.

Understanding the origins of folklore is essential, as it allows us to see how different ethnic and cultural groups in the Nusantara region are interconnected—even beyond national borders. Before Indonesia became a unified nation, this archipelago was already a crossroads of various cultural influences, from the indigenous Austro-Melanesian communities and migrating Austronesians to the major external influences of India, China, and the Arab world.

In this article, we will explore how folklore in the Nusantara region has evolved—starting from the Austro-Melanesian heritage, the Austronesian migration that introduced new languages and myths, to how great kingdoms like Majapahit and Sriwijaya used folktales to strengthen their identity. Additionally, we will examine how influences from India, China, and the Middle East helped shape the narratives within Nusantara mythology.

By understanding this long journey, we can see that folklore is not just a remnant of the past but a vital part of cultural identity that continues to live and evolve in modern society.





Before Austronesia: Austro-Melanesian Folklore and Early Influences

Long before the great Austronesian migration, the Nusantara region was already inhabited by early human groups who arrived around 50,000 years ago. These were the ancestors of the Austro-Melanesian peoples, whose cultural traces can still be found today among indigenous groups such as the Mentawai, Baduy, Dayak, Asmat, Dani, and various traditional communities in Papua and East Nusa Tenggara.

In their way of life, oral traditions and animism played a crucial role in shaping their cultural identity. Austro-Melanesian folklore was heavily influenced by animistic beliefs, where the universe was seen as inhabited by spirits and mystical forces. Many indigenous groups have origin stories deeply connected to ancestral spirits, the power of nature, and humanity’s relationship with the unseen world.


Surviving Traces of Austro-Melanesian Folklore

Some myths and beliefs from indigenous tribes that have endured to this day include:

1. The Myth of the Tree of Life (Kapaltaru)

Tribes such as the Dayak and Papuans have stories about a cosmic tree that serves as the origin of human life. This concept closely resembles the Tree of Life myths found in various cultures worldwide, including those in later Austronesian traditions.

2. The Ancestors from the Sky

Many tribes in Papua and Maluku tell stories of their ancestors descending from the stars or the celestial world. This aligns with the belief that the upper world is the dwelling place of spirits and ancestors.

3. Spiritual Guardians of Nature

The Baduy and Mentawai people believe in mystical beings that protect forests and rivers, similar to the nature deities found in Austronesian traditions. These beliefs persist today in the form of traditional taboos and customs that guide harmonious living with nature.

This folklore reflects how Austro-Melanesian societies explained the world before the arrival of Austronesian, Indian, and other external influences. Many of these myths continue to thrive in the customs and spiritual practices still upheld by indigenous communities today.







The Arrival of the Austronesians: The Beginning of Shared Folklore

Between 4000–2000 BCE, a massive wave of migration from Taiwan brought Austronesian-speaking groups to the Philippines, eventually spreading across the Nusantara (Malay Archipelago), Madagascar, and the Pacific. This migration not only dispersed language but also oral traditions, myths, and beliefs that would later become the foundation of much of the folklore in Southeast Asia and Oceania.


Traces of Austronesian Folklore in Taiwan and Its Similarities with the Nusantara

Indigenous groups in Taiwan, such as the Atayal, Amis, and Paiwan, have preserved folklore that shares striking similarities with the folk traditions of the Nusantara. Some key examples include:

1. The Myth of Ancestors Crossing the Ocean

Many Austronesian groups tell stories of ancestors who sailed across vast seas in search of new lands, reflecting their real-life migration to the Nusantara. In Indonesia, similar narratives can be found in legends such as The Origin of the Bugis People and the Tale of the Dragon Prince in Kalimantan.

2. The Cosmic Tree and Sacred Mountains

Myths about a Tree of Life (Kapaltaru) and sacred mountains as the dwelling places of gods appear in both Taiwanese Austronesian and Nusantara traditions. For instance, in Javanese mythology, Mount Mahameru is believed to be the center of the world, resembling the sacred mountain beliefs found in other Austronesian cultures.

3. Spirits and Ancestral Worship

The belief that ancestral spirits continue to interact with the living world is a key aspect of Austronesian tradition found throughout the Nusantara. One well-known example is the Torajan ritual of Ma'nene, where the mummified bodies of ancestors are exhumed and honored as a sign of respect.



How Austronesian Myths Evolved Across Different Islands

As the Austronesian people settled across different regions, their folklore adapted to new environments and merged with local beliefs. Some examples of how Austronesian myths developed in the Nusantara include:

1. The Sea Goddess and the Legend of Nyi Roro Kidul

The concept of a sea goddess exists in many Austronesian cultures, including those in Taiwan and the Philippines. When introduced to Java, this myth transformed into the legend of Nyi Roro Kidul, the guardian and ruler of the Southern Sea.

2. The Origins of People Through Sky Deities

Many Austronesian traditions tell of humans descending from the union between sky deities and earthly beings. In Bali, this belief is reflected in the myth of Dewi Danu, while in Java and Sumatra, legends of royal bloodlines descending from supernatural beings are also common.

3. Tales of Boats and Migration Journeys

Numerous Austronesian societies have myths about magical boats that carried their ancestors. This can be seen in the Bugis Legend of Sawerigading, which tells the story of a prince who embarks on a sea journey, and in Hikayat Si Kabayan from Sundanese folklore, which also features a mystical voyage.






Folklore in the Era of Nusantara Kingdoms

As civilizations in the Nusantara advanced, folklore was no longer just an oral tradition but also began to serve new purposes in shaping kingdom identities. From Sriwijaya to Majapahit, folklore and mythology were used to:

  • Legitimize power – Kings claimed divine ancestry or connections to legendary figures to justify their rule.
  • Strengthen unity – Shared myths fostered a sense of belonging among diverse ethnic groups.
  • Spread religious teachings – Folklore was adapted to promote Hinduism, Buddhism, and later Islam in different regions.


Majapahit, Sriwijaya, and the Role of Folklore in Kingdom Identity

Sriwijaya (7th–13th Century CE)

As a powerful maritime kingdom centered in Sumatra, Sriwijaya had strong Buddhist influences, which shaped its folklore:

  • Fusion of local myths with Buddhist teachings – Jataka tales, which emphasize wisdom and leadership, became part of Sriwijaya’s cultural identity.
  • Sacred narratives in inscriptions and temples – Reliefs at Candi Muara Takus and Sriwijaya-era inscriptions reflect Buddhist mythology as a state ideology.

Majapahit (13th–16th Century CE)

Majapahit used folklore and literary works to build a national identity:

  • Kidung Sundayana, Pararaton, and Nagarakretagama – These texts framed Majapahit’s rulers as prophesied leaders destined to unify the archipelago.
  • Raden Wijaya’s divine legitimacy – In Pararaton, Raden Wijaya’s rise was foretold, reinforcing his right to rule.
  • "Jawa Dwipa" and "Nusantara"Nagarakretagama depicted Majapahit’s vision of a united archipelago, legitimizing its rule over vassal states.
  • The Myth of Empu Gandring’s Keris – The story of Ken Arok and Empu Gandring symbolized power struggles and the mystical nature of weapons as royal authority.

Folklore in these kingdoms was not just entertainment but a tool for governance, legitimacy, and cultural unity.



Did These Kingdoms Collect Folktales?

Although there was no formal archival system like the Brothers Grimm in Europe, the Nusantara kingdoms had their own ways of preserving and spreading folklore:

Through Kidung and Kakawin

  • Many folktales and myths were recorded in the form of kidung (lyrical poetry) and kakawin (epic poetry).
  • For example, Kakawin Sutasoma from the Majapahit era introduced the concept of Bhinneka Tunggal Ika, which remains Indonesia's national motto today.

Through Temples and Reliefs

  • The reliefs in Prambanan, Borobudur, and Panataran depict epic tales and folktales used as moral and religious education tools.
  • The Panji tales, originating from Kediri and Majapahit, were also immortalized in temple reliefs.

Through Royal Literature

  • As mentioned earlier, Nagarakretagama and Pararaton were not just historical texts but also contained legends that shaped the kingdom’s identity.
  • Many legends were also recorded in Babad, such as Babad Tanah Jawi, which serves as a major source of Javanese history and folklore.

Thus, while folktale collection was not systematic, the kingdoms preserved their myths and legends through literature, art, and oral traditions, ensuring their survival across generations.







Indian and Chinese Influence in Nusantara Mythology

Nusantara folklore did not develop in isolation but evolved through acculturation with foreign cultures, especially from India and China.

Indian Influence: The Ramayana and Mahabharata

  • The epics Ramayana and Mahabharata entered the Nusantara through Hindu-Buddhist influences.
  • They were localized into regional traditions, such as Wayang Purwa in Java and Bali.
  • Characters like Hanuman, Arjuna, and Ravana have distinct traits in Nusantara versions compared to their Indian counterparts.

Chinese Influence: Dragon Myths and Sea Goddesses

  • Nusantara dragon myths, such as Naga Basuki in Bali, share similarities with Chinese dragon legends.
  • The story of the sea goddess Ma Zu may have influenced the legend of Nyi Roro Kidul, the ruler of the Southern Sea in Javanese folklore.

Arab and Persian Influence: Tales from the 1001 Nights

  • Stories like Hikayat Amir Hamzah and Hikayat Bayan Budiman reflect influences from Arabian-Persian literature.
  • The tale of Si Pitung, a legendary Betawi folk hero, has parallels with Ali Baba and the Forty Thieves.

These external influences enriched Nusantara folklore, blending with local beliefs to create unique cultural narratives.





Conclusion

  • Nusantara kingdoms utilized folklore as a tool to build identity and strengthen power.
  • Folktales were adapted into kakawin, kidung, and temple reliefs, ensuring their preservation.
  • Indian, Chinese, and Arab influences enriched Nusantara folklore, creating a unique and diverse mythology.




Indonesian Folklore in the Modern Context

Even as times change, folklore remains a vital part of Indonesia’s national and cultural identity. In the modern era, folklore is no longer passed down solely through oral traditions but is also adapted into various media, including education, film, and social media.


1. The Role of Folklore in Building Nationalism

Folklore has become an integral part of Indonesia’s national narrative, especially after independence. The government and scholars recognize that folktales, myths, and legends have great potential in strengthening unity and national identity.

Symbols and Folklore Figures in National Identity

Garuda Pancasila
  • Indonesia’s national emblem, Garuda Pancasila, has roots in Hindu-Buddhist mythology and is linked to Garuda from the Ramayana.
  • Garuda symbolizes freedom, strength, and grandeur, aligning with Indonesia’s spirit of nationalism.
Folktales in National Education
  • Many folktales are taught in schools as part of moral and cultural education.
  • Stories like Malin Kundang, Sangkuriang, Bawang Merah Bawang Putih, and Timun Mas are used to teach values such as honesty, hard work, and loyalty.
  • Indonesian language textbooks often include fables and legends as part of literary and character-building lessons.
Historical Legitimacy through Folklore

Some regions use folklore to reinforce their local identity, such as:

  • The story of Ken Arok in East Java, supporting Trowulan’s historical claim as the center of a great kingdom.
  • The Minangkabau legend of West Sumatra’s name origin, linked to their ancestors' victory in a buffalo fight.
  • Lutung Kasarung in West Java, which remains a vital part of Sundanese culture.





2. Global Influence and Modernization on Indonesian Folklore

Modernization presents both challenges and opportunities for the survival of Indonesian folklore. While globalization introduces foreign popular culture, it also provides new media to promote and preserve Nusantara’s folktales.

Challenges in the Era of Globalization

Decline of Oral Tradition

  • In many regions, folktales are rarely told orally due to lifestyle changes and technological influence.
  • Children consume more digital content from foreign media, such as Disney movies and Japanese anime, rather than hearing folktales from parents or grandparents.

Competition with Foreign Popular Culture

  • Characters from international films and animations are often more popular than local folklore figures.
  • For instance, children may recognize Elsa from Frozen more than Dewi Sri or Nyai Roro Kidul.

Commercialization and Alteration of Folklore

  • Some folktales are simplified or modified for entertainment purposes, reducing their philosophical depth.
  • For example, modern retellings of Malin Kundang often emphasize punishment over the moral lesson of humility and gratitude.

Despite these challenges, folklore remains a vital part of Indonesian identity. With strategic adaptation to modern platforms, traditional stories can continue to thrive in the digital age.






3. How Social Media, Film, and Literature Preserve or Transform Folklore

Despite challenges, modern technology helps Indonesian folklore adapt and thrive in new forms.

Role of Social Media

Revitalizing Folklore through Digital Content

  • Platforms like YouTube, Instagram, and TikTok are widely used to retell folktales in modern formats.
  • Many content creators highlight Nusantara mythology and urban legends like Wewe Gombel, Leak Bali, and Buto Ijo through animation or digital comics.
  • Example: "Folklore Horror Indonesia" on YouTube has millions of views with its concept of “local culture-based horror stories.”

New Narratives in Digital Communities

  • Online communities such as Indonesia Bertutur and Nusantara Folklore actively discuss folklore and history.
  • Twitter and Instagram users create threads and infographics about regional legends to engage younger audiences.

Role of Film and Animation

Movies and Series Featuring Nusantara Folklore

Several Indonesian films explore folklore in a modern style, such as:

  • "KKN di Desa Penari" (2022) → Inspired by local myths.
  • "Jagal" and "Perempuan Tanah Jahanam" → Incorporate Nusantara mythology into horror.
  • "Si Buta dari Gua Hantu" → A reinterpretation of a Javanese warrior legend.

These films show that mythology and folklore remain highly appealing to modern audiences.

Animation and Comics Based on Folklore

  • "Si Juki Anak Kosan" and other animations blend Nusantara culture with modern humor.
  • Digital comics on Webtoon like "Tahilalats" and "Si Buta dari Gua Hantu" retell traditional stories in fresh styles.

Role of Modern Literature

Novels and Short Stories Inspired by Nusantara Mythology

Many young authors adapt folklore into novels and short stories, such as:

  • "Bumi Manusia" (Pramoedya Ananta Toer) → Explores Javanese history and culture.
  • "Ronggeng Dukuh Paruk" (Ahmad Tohari) → Highlights local spiritual beliefs.
  • Books by Intan Paramaditha → Infuse folklore into modern horror stories.

Literary Festivals and Storytelling Events

  • Several literary festivals now feature special sessions for folktale storytelling, such as Festival Dongeng Indonesia.

By embracing modern platforms, folklore remains a vibrant and evolving part of Indonesian culture. 🚀




Conclusion

Folklore remains relevant in shaping national identity, both through education and national symbols.
Modernization presents challenges, such as the decline of oral traditions and the influence of foreign cultures, but it also opens new opportunities through social media, film, and literature.
Folklore undergoes a transformation in digital formats, proving that it can continue to thrive in the modern era in new ways.





Preserving Folklore Heritage in the Modern Era

Nusantara folklore is not merely a collection of past tales but a reflection of the long journey of its people's culture and identity. From Austro-Melanesian traditions to the major influences of Austronesian, Indian, Chinese, and modern global cultures, folk stories have served as a unifying thread connecting generations.

In an ever-evolving world, folklore faces new challenges. Globalization and digitalization may blur traditional roots, but at the same time, they create opportunities to preserve and introduce folklore to a wider audience. Social media, film, literature, and technology have become new tools to keep these ancient stories alive and relevant.

Understanding the history of Nusantara folklore is not just about reminiscing about the past but also about finding ways to nurture it in the present and the future. By continuing to value the stories of our ancestors, we not only safeguard cultural heritage but also enrich the identity and diversity that have long been the strength of Nusantara.










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