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Wayang Wahyu

Holy Legends in Shadow Play: Wayang Wahyu's Sacred Tales


Edisi Indonesia: Wayang Wahyu

History and Background

In the early 1960s, Bruder Timotheus L. Wignyosoebroto created an innovation in the world of wayang performances. He named it Wayang Wahyu, a wayang show that adapted stories from Christian scriptures. This inspiration came to Bruder Timotheus after witnessing a wayang kulit performance that narrated a story from the Old Testament.


Presentation of Wayang Wahyu

Just like traditional wayang performances, Wayang Wahyu is presented with Javanese gamelan music. A puppet master, or dalang, narrates the scenes in Javanese. These wayang figures are crafted from buffalo hide using intricate carving and painting techniques. The characters represent figures from the Bible, depicted in a style that combines traditional wayang aesthetics with new religious themes. Wayang Wahyu is typically performed during Christmas or Easter celebrations in Catholic churches, and occasionally during church anniversaries or other religious festivals.


Purpose and Function

Wayang Wahyu was created to spread the teachings of the Catholic faith in a manner that resonates with Javanese culture. It aims to reach not only the Catholic community but also the broader public, demonstrating that the Catholic faith can harmonize with Javanese traditions.


Cultural Integration

Wayang Wahyu is the result of collaboration between the Church and local artists, bridging Catholic faith values with Javanese cultural traditions. This endeavor is not an attempt to assimilate Christ's teachings into Javanese cosmology, but rather an alternative medium to understand these teachings through the language and symbols of Javanese culture.


Example Story: The Birth of Jesus in Wayang Wahyu in Earlier Adaptation

Once upon a time, in a peaceful village, the elders gathered to discuss a prophecy about the birth of a savior who would bring peace and salvation to all. They spoke in beautiful Javanese, recounting a legend passed down through generations. The prophecy foretold that a child would be born, bringing new hope to the world.

Elsewhere, Joseph and Mary, depicted as intricately designed and brightly colored wayang figures, were on their journey to the birthplace of Jesus. They faced various challenges along the way, including harsh weather and winding paths. Yet, they held onto their faith, believing that God would guide them safely to their destination.

When they arrived at a humble stable, Jesus was born. The atmosphere in the village transformed into one of wonder and joy. Angels and shepherds, also depicted as wayang figures, came to honor the newborn savior. They brought gifts and sang praises, creating an atmosphere filled with peace and happiness. A bright star illuminated the stable, symbolizing the hope and joy brought by the birth of the Savior.

The villagers celebrated the birth of Jesus with traditional Javanese music and dance. They danced and sang to the accompaniment of gamelan, highlighting the joy and hope brought by the Savior's birth. The village was filled with light and laughter, symbols of the love and hope Jesus brought to the world. Everyone, young and old, participated in the celebration, united in the joy felt by the entire community.

The story concluded with a reflection on the importance of faith, hope, and love. The birth of Jesus brought these virtues into the world, teaching everyone about the importance of living in harmony and compassion. The moral message of the story was clear: the birth of Jesus brings love, peace, and hope to everyone, regardless of their background or beliefs.


Final Words

Wayang Wahyu is a testament to how spiritual and cultural values can complement and enrich each other. By adapting Biblical stories into the wayang format, Wayang Wahyu teaches that faith and tradition can unite to create something beautiful and meaningful for all. This performance not only preserves the traditional art of Javanese wayang but also introduces Christian teachings in a way that is relevant and engaging to Indonesian audiences.






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